The good, bad and ugly of wedding photography
*Phew!* It's been a long weekend, covering Geoffrey and Joyce's wedding as an official wedding videographer (Elaine did the videography for them while in Sibu). The good news (for me) is that they seem to like the videos which we put together just in time for their wedding dinner, which always feels nice.
For the wedding, Geoff actually bought a brand new Sony HDR-SR12 AVCHD camcorder - so i could use it to shoot his wedding and so he can take it along for his honeymoon after. It's actually a pretty good camcorder, though a little slow to start up and requiring a wide-angle conversion lens to make it useful for event videography.
Anyway, I've learnt a few things from this experience:
THE GOOD:
1. It's actually FASTER to deal with AVCHD, hard disk-based camcorders than old-fashioned DV camcorders (provided you've got a powerful Mac and the correct software). With my own tape-based DV camcorder, i need to stream the entire tape onto my Mac before I can start editing. So if i've shot two hours of video, that's TWO hours of waiting for the video to transfer onto my Mac.
But on a hard disk-based AVCHD camcorder, i only need to select the clips i want and my Mac will transfer the files, transcoding them into an editable format - in this case, about an hour of video takes and hour to transcode, which sounds the same as a DV camcorder but the difference is that i transfer ONLY what i want.
2. Apple iMovie '08 isn't as bad as some people make it out to be. If you didn't know, Apple did the unthinkable in 2007 by throwing out its very popular iMovie HD video editing software, and replaced it with iMovie '08, which had a completely different user interface and removed a lot of core features.
Anyway, apart from the absence of special effects such as slow-motion or soft-focus filters, iMovie '08 is pretty good. For starters, it's bloody fast. All text titles, colour correction and transitions are applied in real time, which is great because you don't have to wait for it to render before you can view the results.
And if you're upset about the lack of a traditional video timeline, don't be - the new system is far quicker for scanning through hours of video and cutting things into the correct sequence. I've never cut together a video faster than this, and I certainly didn't expect HD video editing to be this quick.
The only other thing that bothers me is the loss of finer audio level controls and the hack-ish manner to get multiple titles appearing on the same video clip. Other than that, it's brilliant.
THE BAD
3. Videography is a lot more tiring than photography, simply because you have to hold the camera up for a lot longer, and you have to plan in advance whether you've got enough battery power left, whether you want the camera mounted on a tripod and whether you should be at spot A or spot B to get a better shot.
The difference to normal photography is that you can't run to a new spot, take a shot, and run back - you need to spend at least five seconds at a spot to have useable footage, anything shorter may be too abrupt or may not leave you enough room to edit fades, wipes or to fill in gaps in your video.
Also, you sometimes cannot afford to stop filming because you may miss something - which is a problem if you've mounted the camera on a tripod and suddenly have to move the camera while recording.
An obvious solution would be to simply employ another videographer, but that isn't always a good idea because video camcorders are very expensive (the Sony HDR-SR12 i was using costs about RM5000, not including spare batteries and wide-angle lens converters), and that you may end up with TWICE the amount of video to go through. And videos take up far more space on your computer than JPEG photos.
The other problem is that, with two videographers, you're already adding to the array of photographers during an event, which can be annoying to people attending the event, or even your subjects (especially at weddings). And you'll inevitably get in the way of one another, which nicely brings me to my next point:
THE UGLY
4. Digital photography seems to have spawned a new species of subhumans - the unofficial wedding photographer. While I definitely condone friends and family taking photos of the bridal couple during a wedding, 'just in case' the official photographers don't get a shot, anybody who is not an official photographer / videographer must abide by one golden rule:
Never, EVER, get in the way of the official photographers. Take this dude in the red shirt for example:
This particular idiot was in may way most of the time. Now, I've taken photos at loads of events before (what, being a former journalist and all), and I usually ended up in situations where there are plenty of photographers from different publications, and only one good angle to take a shot. The common thing to do here would be to take a shot at that spot, and then vacate it immediately so that another photographer has a chance. It's common courtesy.
At Geoff's wedding, the two hired official photographers were very courteous to me (the lone videographer) and I'd like to think I got out of their way as much as I could. After all, it's not a competition - we're trying to get shots that Geoff and Joyce would like. I understood that if i didn't give room to the photographer, the wedding couple would not get a shot from that particular angle. And the official photographers understood that, if they didn't give me room, nobody else would get the video footage at that particular angle either. It's a give-and-take situation and we all try to help each other out.
ON THE OTHER HAND, the idiot in the red shirt was HOGGING the good spots. He'd stand there, get a shot and then REVIEW HIS PHOTOS while taking up that precious spot, instead of getting out of the way. There were already TWO official photographers covering the action, the wedding couple certainly didn't need another photographer shooting photos that the professionals would have gotten anyway.
What's worse was that he was taking up precious space when the bridal couple was exchanging vows, rings and lifting the veil. I already had my camcorder mounted on a tripod, so I could stretch it over the two official photographers and film the couple without getting in their way (sort of like a robotic arm).
And because the red-shirted idiot was in my way, i couldn't lower my camcorder to the intended height to shoot the video. This was the result:
Well, this wouldn't be a problem if there was another videographer at the wedding... BUT WAIT, I WAS the only videographer at the wedding. So what does it mean? Well, Geoffrey and Joyce have about 5 extra photos of him lifting her veil, but no VIDEO of it. Thanks a lot, you red-shirted idiot - i'm sure the wedding couple would love to thank you for that.
And here's another example of his stupidity...
Look, there is only one angle to shoot a bridal recessional, and that's from the front of the couple as they are walking out. The red-shirted fool decided to stand next to the official photographer and shoot the same shot from the same angle. WHY THE HELL FOR??? It's not like his photos are going to be any better than the official ones - they're from the same bloody angle!!!
Why the hell hog more space? As a result, I had to move BEHIND them (which isn't so bad), and the official photographer could not get a photo from the middle of the aisle either, since he was pushed to the right by that idiot.
I'll tell you why the red-shirted idiot did that. If he's anything like most gear-heads these days (me included), it because he just bought himself a DSLR and wants to "try out" wedding photography since it's the trendy thing to do these days and since digital photography itself is a cool new hobby.
"I know... I'll EXPERIMENT during Geoffrey and Joyce's wedding!!! That way, I'll get to hone my wedding photography skills! And then, I'll get to post up all the photos on Facebook and people will be rushing to tell me what a great photographer i am," thought the red-shirted idiot.
Selfish bastard...